As a general rule, you want to stage your gain at the mastering stage. I liked the EQ adjustments that Master Assistant made, but I immediately felt that the Maximizer (what Ozone calls their limiters) was doing too much work in bringing up the gain. Now that we have a starting point that’s both intelligent and unbiased, we can go in and make creative adjustments as we see fit. Enhance the master with your own creative decisions Once it’s done analyzing, Master Assistant will offer you a mastering chain that’s customized to your reference track. As soon as you start playing audio, Master Assistant will get to work by implementing corrections and enhancements that bring your track closer to your reference track’s loudness, spectral balance, etc.: It’s important that you play the loudest part of your song here – in my case, I’ll play the second half of the excerpt, where the entire arrangement kicks in. Once you hit “Next,” Master Assistant will prompt you to start feeding it audio. Now, go to Master Assistant, select Reference as your target, and choose one of your uploaded tracks. Create a starting point with Master Assistant For this track, I’ve uploaded three songs that I want to emulate the masters of:Ģ. You want to ideally select tracks that are in a similar genre / style to yours, and the higher quality files you have, the better. Before we pull up Master Assistant, let’s first add some reference tracks by hitting the Reference button on the bottom right of the GUI. Start off by adding an instance of Ozone 8 Advanced to your master track. Upload reference tracks to Ozone 8 Advanced Ozone 8 Advanced’s Master Assistant allows you to maximize the power of using references in just several simple steps.
Using reference tracks (professionally mixed and mastered tracks that you can measure your master against), however, is a habit that you can start practicing immediately.
Metering and room treatment are key, but they can take time and resources to set up. However, it means that you have to be extra mindful of using tools that help you stay grounded and objective. That’s not to say that creating a good self-master is impossible. A fresh pair of ears that hasn’t listened to the track hundreds of times can help make less biased adjustments that you may have not considered. Why use reference tracks?Ĭhances are you’ve heard this cautionary advice before: “don’t master your own song.” There’s a good reason why many people stand by this if you’ve spent countless hours producing any track, it’s likely that you’ve lost some perspective and objectivity along the way. Let’s explore how we achieved this master using reference tracks and Ozone 8 Advanced.
IZOTOPE 8 ADVANCED DOWNLOAD
Splice the project to download the Logic session and experiment with it yourself.Īlthough it’s just a small excerpt, the track sounds fairly polished – it’s loud without being absolutely squashed, the stereo image is clear, and the mix nicely spans the entire frequency spectrum.
IZOTOPE 8 ADVANCED PRO
We’ll be working with the same Logic Pro X project we’ve been using throughout this mini-series for demonstration purposes. IZotope recently released Ozone 9 Advanced, which offers even more powerful features - learn more about them here. We’re now ready to apply the final touch to our track – let’s finish it off with some mastering, which we’ll implement with iZotope’s Ozone 8 Advanced.
IZOTOPE 8 ADVANCED HOW TO
Once we finished laying down our musical ideas, we explored mixing, learning how to mix our lead vocals with the rest of the track. At first we were in production, where we created compelling vocal harmonies with VocalSynth 2. In two previous articles, we’ve navigated different preceding stages of music creation. We’ve reached the final step of our music creation process: mastering.
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